The Music of the Taizé Community
Taizé is a worship renewal community in France that has developed a style of music and Scripture song for all parts of worship. The article below introduces the community, its worship, and song.
Taizé is a worship renewal community in France that has developed a style of music and Scripture song for all parts of worship. The article below introduces the community, its worship, and song.
From its location on an island off the coast of Scotland, the Iona Community has done much to influence the music of the world church, especially in North America. They have done this by providing the music used in their own worship services and by collecting songs from the church on every continent.
Roman Catholic liturgy, like that of many of the more liturgical churches, features texts that are sung in each liturgy or service. These are called ordinary texts. Often these texts are sung. Settings of these texts, and other frequently used texts, are called service music or liturgical music. This music is part of the liturgy itself, not something that interrupts or is added to the liturgy. Since the Second Vatican Council in the early 1960s, Catholic churches have had more freedom in choosing service music. This has resulted in vast numbers of new compositions, many of which are valuable for churches in many worship traditions.
Recent hymnals have included a wide variety of congregational songs from around the world. These provide new styles of music for use in worship and new ways of expressing the unity of the worldwide church.
Shape-note singing was an important part of the social and religious life of rural America before the Civil War. Entire communities gathered for all-day singing. Some of these gatherings, called conventions, lasted several days. In some parts of America, these shape-note singing festivals are held yet today, offering a very unique and vibrant style of music that could well be sung in churches of many traditions.
According to this author’s view, there is no distinctive hymnody that prevails in Asian-American churches, but there are certain characteristics and trends that typify these congregations. In providing detailed distinctions among the various Asian groups, this article does give some perspective on the music used in Asian-American churches and the challenges that these churches are facing.
Recently published hymnals have included a wide variety of congregational songs from Hispanic churches. This article describes the experience of Hispanic Christians in America and the music that is often used in Hispanic-American churches.
There are considerable resources for black songs among African-American denominations and churches that are now widely available for churches in every tradition. This article is especially helpful in describing the different types of songs that have developed from the black worship tradition.
The Gospel music is a specifically American genre that has undergone many changes since its inception in revivalistic camp meetings during the mid-nineteenth century. This development has informed both worship style and musical roles within churches across denominational lines. Current trends in gospel music suggest that the influence of general public musical taste may be stronger than that of theology.
Anthems sung by choirs and soloists have a long history in Christian worship. Many of the world’s finest composers have written anthems for use in worship. Yet the best anthems are those which unite such musical genius with concern for the text that is sung and the function of the anthem in the context of the entire worship service.