ow does an artist share his faith in a genuine way? How can a singer use her talent as a communicator rather than a performer? Two key elements are a strategic vision and a servant’s heart. First, a strategic vision develops from the artist’s clear idea of the goal that he or she wants to achieve, an idea which then organizes and informs every step toward that goal.
Art is a part of life. It is not something people can choose to omit from their lives. Artistic expressions—imaginative human expressions—are more than a form of human communication. They are the substance, the amniotic fluid, in which human relationships live and grow—human-to-human, and humans-with-God.
This preconceived concept about art, and its relationship to the Church, does major damage to the Church’s ability to pursue artist expression as a means for making worship central to the mission of the body of Christ. Church leaders need to reject this modern view of artist expression, which excludes the imaginative realm of metaphors, symbols, and human expressions (or signal systems), and come back to a biblical view of the arts. In doing so, they will find new vitality for worship as the central agenda of the churches.
Cooperation in ministry is essential if we care to position ourselves before the Lord in such a way where He might choose to use us to impact our communities, our region, or our nation for Christ.
A striking feature of how the arts occur in our society is that there is among us a cultural elite, and that from the totality of works of art to be found in our society a vast number are used (in the way intended by artist or distributor) almost exclusively by the members of that elite. I shall call those works our society’s works of high art. The works of Beethoven, or Matisse, or Piero della Francesca, are examples. Correspondingly , our society’s institution of high art consists of the characteristic arrangements and patterns of action pertaining to the production, distribution , and use in our society of those works of art.