The praise song is integral to worship in the black tradition, expressing Spirit-filled praise and demanding the full participation of the worshiping community. Black praise singing is also expressive of themes important in the black Christian experience and in the theology that has been formed out of this experience.
The trend toward a return to primal traditions in theology and worship practice was intensified in the mid-twentieth century, partly due to the influence of the “New Reformation.” Along with a return to biblical authority, we have seen a revival of Reformation worship forms and practice, including even neo-baroque organ design. The total result is a blend that includes three traditions: the apostolic heritage, historic medieval contributions, and Reformation distinctives.