Dance in the Old Testament
Dance is a regular feature of Israel’s festive worship and is viewed as an act of obedience to the Lord, for his praise and glory.
Dance is a regular feature of Israel’s festive worship and is viewed as an act of obedience to the Lord, for his praise and glory.
New Testament hymns to Christ celebrate what he did before Creation, his mission of incarnation and reconciliation, and his present exalted position as Lord of the universe. In so doing, they counter heretical ideas that were influencing some segments of the early church.
Singing hymns to deity was an established practice in the Greco-Roman world long before the emergence of Christianity. Christian hymns differed from pagan hymnody, however, in celebrating a redemptive historical event; they have a “prophetic” quality.
Early Christian hymnody was influenced by the tradition of psalm singing in the temple. The hymns of the New Testament church served both a doxological and an apologetic function.
Whereas in the psalms of petition the focus is often on the worshiper and his needs, in the psalms of celebration the emphasis is on the dominion and authority of the Great King, the grantor and guarantor of the covenant.
The covenant between the Lord and his people, represented especially by the Davidic king, is the governing theological concept in psalmic worship. The covenant is the basis for the worshiper’s appeal to the Lord, and covenant terminology supplies themes and motifs that are prominent especially in the psalms of petition.
Students of the Psalms have attempted to categorize them by content, literary type, and cultic usage. Though each of these methods has its value, an approach to the Psalms through the concept of the covenant correlates both the general theological stance of the Psalter and the variety exhibited by the individual psalms.
The Psalms are first of all poetic song. As such, they incorporate many of the features of poetry and music, including picturesque language, a principle of the correspondence of lines, metrical patterns, and instructions for performance.
The Psalms are organized into five books. The general organization of the book of Psalms reflects the growth of the collection in several stages. The superscriptions of many psalms contain information relevant to their collection, as well as their performance.
Although they bear the stamp of gifted poets such as David, the Psalms are conventional worship texts, adapted to the needs of the community as a whole. The prophetic voice that often speaks in the Psalms reflects their development through the work of the Levitical musicians of the sanctuary.