Music in Israelite Communities
In Israelite life, music was central to all that the people did. It is found not only in their worship, but also in their work, in their personal recreation, and in their military activities.
In Israelite life, music was central to all that the people did. It is found not only in their worship, but also in their work, in their personal recreation, and in their military activities.
Music plays an integral part in biblical worship. As one of the arts most accessible to the ordinary worshiper, it became important in the expression of the faith of the corporate community.
In Scripture, activity associated with the fine arts is connected with divine inspiration. In the case of visual arts, Bezalel, the chief artisan of the Mosaic tabernacle, is introduced as a man “filled with the Spirit of God” (Exod. 31:1–3). The association of the Spirit of God with musical activity is more pronounced. Samuel, having anointed Saul king, tells him that he will encounter a band of prophets coming down from the sanctuary, prophesying to the accompaniment of musical instruments; the Spirit of God will come upon him, and he himself will prophesy, being “changed into a different person” (1 Sam. 10:5–6).
The New Testament also contains a vocabulary of terms that reflect the worship of the new covenant community, a worship that was anticipated before the formation of the Christian church by the awed and worshipful response of many to the person of Jesus himself and by Jesus’ own worship of the Father.
Music in free worship is not bound to the text of worship itself but appears here and there as separate, special, occasional, and incidental to the order of worship. This approach has led to a wide divergence of practice among churches.
Music has great power to both reflect and shape human experience. In worship, as in other activities, music is able to express the most profound thoughts and emotions in ways that words cannot. Music in Christian worship is a powerful—even a risky—force that must be used thoughtfully, imaginatively, and prayerfully.
ow does an artist share his faith in a genuine way? How can a singer use her talent as a communicator rather than a performer? Two key elements are a strategic vision and a servant’s heart. First, a strategic vision develops from the artist’s clear idea of the goal that he or she wants to achieve, an idea which then organizes and informs every step toward that goal.